Is the impact of advances in cosmology on a narrative-driven metaphor-rich human brain appropriate?

Roger Penrose (a prominent cosmologist) has a new idea about the universe: instead of starting outright with the Big Bang, the universe passes through an eternal series of aeons. Each aeon draws toward a close as all matter is sucked into black holes. The holes evaporate through Hawkings radiation, and the resulting evaporated particles then suddenly become massless and start travelling at the speed of light. At this point, from the particle perspective, space contracts to nothingness and time stands still, setting the stage for a new Big Bang.

Penrose’s theory diverges from Alan Guth’s prevailing inflation model, whereby the universe is a one-off result of a quantum fluctuation in nothingness which inexplicably inflated itself by a factor of 10E78 in 10E-32 seconds. The inflation is impelled by a still-undiscovered Higgs field through a process likened by Brian Greene to a frog hopping onto the ledge of a heated Bundt pan. Penrose reckons he can defeat Guth by detecting spherical ripples in the fabric of spacetime left over palimpsestically from the black holes of bygone aeons.

The truth is, it’s all pretty far out. I mean, which one seems more likely to you? It’s as though there’s one person telling you the universe is carried around on the back of a tortoise, but then someone else insists that no, it floats, having once been blown from the navel of an obese reclining man. – ?

What gets me though is that it still seems somehow profoundly important to my understanding of life. If the universe really is a one off, or is infinitely reincarnated, strikes me as pretty material to my figuring out how I feel about time, other people, consciousness, and what to take out of the fridge when I’m next standing in front of it. If one or the other of these theories is right, I need to know. Or I feel I need to know. Just like with whether or not there’s such a thing as a quantum of time, or if particles really are entangled in different regions of space. Obviously it’s not material at all, but I feel it is, at which point it instantaneously becomes material.

So the question I find myself asking is: is the impact of advances in cosmology and particle physics on a narrative-driven metaphor-rich human brain appropriate?

Posted in Knowledge, Thoughts and ideas | 3 Comments

Grizzly faces and fundraisers

Information is Beautiful has a graphic showing just how much more successful Wikipedia’s “personal appeal” banner ad has been over more traditional banners with mere slogans: a lot more. The banner with Jimmy Wales’s grizzly face earned Wikipedia $47,433 per day—fifteen times as much as the next most successful banner, “Admit it- without Wikipedia, you never could have finished that report.”

Wikipedia performed dozens of tests comparing the donations generated by various slogans in different countries and languages, even going so far as to test between familiar and polite forms of personal pronouns (Dutch: jou vs. u). You may find the raw data from Wikipedia’s banner tests useful for your own campaigns.

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5,000 Years Collapse Like An Accordion (and reopen a little)

Take this analect from Confucius: “It can all be summed up in one phrase: ‘Swerve not from the right path.’”

China boasts 5,000 years of continuous civilisation, resulting in a body of thought which is both rich and deep, and yet retains an astonishing unity. While the history of the West is shot through with Dark Ages and Enlightenments, that of China is more like a single draught of air captured within the bellows of a giant accordion. Collapsing the bellows yields such essential aphorisms of Chinese philosophy as, “Swerve not from the right path”. To what great field or tiny detail of human life could this not be usefully applied?

All however is not so easy. You may have no intention of swerving from the right path, but as you start to reopen the bellows a little, a host of questions and incertitudes come flooding in as to what is the right path, and what swerving — ?

Take this analect, also from Confucius: “When housing his great tortoise, Tsang Wen-Chung had the capitals of the pillars carved in the shape of hills, and the rafter posts painted in duckweed design. What is one to think of his intelligence?”

I really don’t know. There’s no answer in the text. I’m at a loss. At risk of swerving.

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Advent Calendar Kick Off !

To mark this, the day of the opening of the first door, a few notes about advent calendars:

* The term ‘advent calendar’ comes from the Latin ‘adventus’ or ‘coming’, and is a means of counting down the days until Christ’s birthday.

* Officially, advent begins on the fourth Sunday before Christmas, which would have been November 28th this year; for convenience, calendar makers always begin on December 1st.

* The tradition of advent calendars took hold in Germany in the 19th century; Germans also have advent candles that are burned down a notch a day over the 28 days of advent.

* Most people are familiar with the traditional calendars with either painted images behind the doors, a chocolate, or a small gift, but there are also other versions, some geeky interesting like the Lego calendar, some obscene like the $1 million dollar Harrods calendar, and tons of awesome DYI stuff like this.

* This year, our family ordered its four calendars from Richard Sellmer Verlag, the famous advent calendar empire in Stuttgart with 125 designs and 1 million calendars in stock. Richard Sellmer is credited with reviving the advent calendar tradition in Germany after the paper shortages of World War II. “It is true, it is not a legend, my grandfather really did that,” Oliver Sellmer, who now runs the empire, told me on the phone.

Our 2010 advent wall ...

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Turf Feinz

Some neighborhoods of Oakland California have an apocalyptic demeanor – emptiness, decay, squalor – but instead of zombies they have street dancers. Turfing is an improvised storytelling dance executed with stupefying precision by some of Oakland’s impassioned youth. One group of friends who dance together, Turf Feinz, has gotten the world’s attention thanks to cheap HD video cameras and the visual wrecking crew named YAK Films, whos work with youth in urban America is the best kind of heroic.

This video, “RIP Rich D,” is performed by Turf Feinz members No Noize (red jacket), Man (black jacket), BJ (striped shirt), and Dreal (white shirt) as an elegy for Dreal’s brother who died in a car accident at this intersection the day before. It is the second of three “RIP” films produced by YAK about youth killed in the neighborhood – one a victim of a gun shot, one a police shooting, one reckless driving – stories of the premature demise of urban youth told through the intense physical processing of dance.

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A Team Of Sea Horses In A Sea Of Coal Do Battle With Wasps Over The Body Of A Moth Before A Lead Sky (Cetus–Andromeda–Perseus)

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Art from Adrian Hornsby. Visit full interactive web gallery to revel for seconds in flicking the switches yourself.

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Ceci N’est Pas un Pipe

Years ago, a Japanese inflight magazine did a series of interviews with writers and publishers set up around the idea of fiction vs. non-fiction. One of the people interviewed  was a publisher of delectable art books featuring nature who maintained he published only nonfiction.  But even the most representational of the flower paintings  was not a real flower but a fictionalized version, filtered through the eyes and hands of an artist. The lines between fiction and nonfiction are necessarily blurred. All fiction contains nonfiction and vice versa. There may be absolute truth and objective reality, but surely it is beyond humans in their current incarnation to tell.  We are too biased, too limited, and too easily tricked, even without the wizardry of photoshop.

Look at these.

Photographs?   Paintings?

Continue reading

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ARE YOU A PSYCHOPATH?

Ok – here’s the test. It’s in two parts.

PART ONE: You are given the following rule: “If a card shows an even number on one side, then it is red on the other.” These four cards are spread before you:
1. 3
2. 8
3. RED
4. BROWN
Which cards do you need to turn over to check if the rule has been broken?

PART TWO: (Don’t cheat on Part One – commit to an answer. Remember, in this, you can cheat only yourself. And even that only for so long.) You are given a new rule: “If you borrow the car, then you have to fill the tank with gas.” A further four cards are spread before you:
1. Dave did not borrow the car
2. Helen borrowed the car
3. Bryony filled up the tank with gas
4. Kirk did not fill up the tank with gas
Again, which cards do you need to turn over to check if the rule has been broken?

ANALYSIS: The two tests, logically, are identical. However, the socially normal human performs generally poorly on questions of the first kind (scoring around 20%), while much better on the second kind (around 70%). So basically, you should be aiming to get Part One wrong and Part Two right (the answer to both is the same – turn over cards 2 and 4).

The difference is that the rule of Part Two is formatted as a social contract, and as social creatures, we are programmed to recognise and understand the rule-architecture of such contracts very well. Pure logic on the other hand, as demanded in the first part, we’re not very good at. In these specific examples, people can recognise quite easily that Bryony filling up the car with gas doesn’t mean she necessarily borrowed it, while it’s very easy to mistake “even on one side, red on the other” for a reciprocal “EVEN=RED” rule, and so erroneously turn card 3. We interpret the rule less well because it doesn’t come built into a social situation which is immediately graspable. (Logic questions using “human” terms but without social contracts – e.g. a rule like “People from California are patient; John is patient” – is answered generally as poorly as rules concerning numbers and colours).

As for psychopaths – well it turns out that like non-psychopaths they’re mostly bad at logic, but they’re bad at understanding social contracts too. By this, typical psychopaths get Part One wrong and follow this up by getting Part Two wrong too.

There’s the test. Here’s the full article.

Posted in Knowledge, Reflections from elsewhere | 4 Comments

A Blogroll for KMZ

To bring focus to KMZ’s new blog and its wayward authors, I’ve suggested we assemble a list of other blogs we hold in high esteem as examples to follow here. I’ve listed mine below, in no conscious order. Each has a unified voice despite being generalized and diverse but not scattered. They’re inspiring to me and my KMZ.

  • Never Yet Melted, an assortment of smart oddities and amazements.
  • Seth Godin’s relentless flood of reality checks.
  • Collision Detection is a collection of offbeat research and musings by science/culture writer Clive Thompson
  • The Resist Network showcase of art beyond the gallery walls includes artworks of social justice and activism.
  • Sociological Images are a collection of compelling visuals that span the breadth of sociological inquiry.
  • Ironic Sans is the mental playground of photographer David Friedman.
  • we make money not art is a blog that focuses on the intersection between art, science and social issues.
  • F.A.T. (Free Art and Technology) is an anarchist art collective “dedicated to enriching the public domain one mutha-fuckin LOL at a time.”
  • Ok, so The Yes Men are who I want to be reincarnated as. Their public theatrics are huge. <3!
  • Improv Everywhere are masters of large-scale antics.
  • Art of the Prank is a healthy dose of pranks, hoaxes, culture jamming and reality hacking.
  • Speculative fiction at Brain Harvest
  • Strange bits of science at David Disalvo’s Brainspin
  • Breakfast in Europe is just delightful in its simplicity and charm of content.
  • Though such technical writing may not be appropriate for KMZ Eric Johnson’s Primate Diaries gets on this list because of its anarchist tendencies. He’s thumbed his nose at the establishment (ScienceBlogs.com) and taken his blog in exile.

What are your virtual intellectual lustings?

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A.M.

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A.M. is a love story about sound.

Yoshi, a recent college drop-out, is obsessed with recording the secret music of Tokyo at night. He’s also obsessed with pink cakes, clementine peel, the disappearance of time, women’s breasts, and the silence directed at him by his father. Riding a torrent of thoughts, he goes out with a contact microphone to feel for the hidden echoes and reverberations stored within the bodies of vending machines.

Kyoko, a girl from Hokkaido, is wandering the city in search of her adult self. Caught between introversion and a desire to be understood, she feels oddly adrift within her own body. Ever since a childhood illness affected her hearing, she has been haunted by the sound of a woman singing — a beautiful voice coming from nowhere, but seemingly trapped behind glass, without air, without sound …

A.M. weaves a rich meditation upon time, sound, being, and being nineteen.

composed and directed by Arnoud Noordegraaf
written by Adrian Hornsby

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